Amor Mundi

Self-Portrait

By Samantha Hill
Conor Friedersdorf profiles Hannah Arendt Center NEH Fellow Thomas Chatterton Williams for The Atlantic. Looking at Self-Portrait in Black and White: Unlearning Race, Friedersdorf explores the ways in which the work of Chatterton Williams moves from personal experience. What ensues is a thoughtful engagement with a must read work that strikes out against the ideologically driven politics of our time.

In Such Times

By Kenyon Victor Adams
Li-Young Lee describes poetry as an utterance on the ‘dying breath’ and considers the distinct physiologies of exhalation and inhalation. For Lee, the exhaling or dying breath is foundational to the poet’s work and therefore, in Baldwin’s expansive sense of poetry, the work of all artists. I see a connection between Lee’s proposal of the dying breath as the foundation for all poetic...

What We're Reading: Propaganda

By Samantha Hill
Echoing Hannah Arendt’s definition of ideology in The Origins of Totalitarianism, Timothy Snyder looks at Hitler’s use of propaganda within the context of our contemporary political situation. How are singular ideas transformed into ideological narratives that claim to explain away the ills of the world?

Political Trials 

By Roger Berkowitz
In the final chapters of Eichmann in Jerusalem, Hannah Arendt worries that the very strength of the Israeli Court in its trial of Adolf Eichmann—its fairness and its fidelity to law—prevented the court from understanding that Eichmann’s unprecedented acts required a political rather than a legal response. Eichmann himself argued that if he were guilty, it was of “aiding and abetting” in the commission of horrific crimes, that he himself had not...

Mrs. Stern Wanders The Prussian State Library

The Mrs. Stern in the play ’s title is actually a young Hannah Arendt, who at the time went by her married name, of Johanna Stern. Arendt speaks about her arrest in her famous interview with Günter Gaus. She tells Gaus that after the burning of the Reichstag she could no longer avoid politics.

Letter to the Editor of the Forward

By Roger Berkowitz, Academic Director and Founder of the Hannah Arendt Center
I am the person who invited Batya Ungar-Sargon, the Opinion Editor of the Forward, to participate in a recent conference hosted by the Hannah Arendt Center at Bard College, a conference where she contends in a column published Oct. 12 that she was protested for being Jewish and, as a result, “couldn’t proceed” with her talk.

To The Editor:

I attended the conference on ‘Racism and Anti-Semitism’ at the Hannah Arendt Center at Bard College. Let me state at the outset that 1. I am not in any way affiliated or employed by the college. 2. I attend this conference annually as a community member who is interested in learning about complex political issues of timely relevance and 3. I am a Jew who has lived in Israel and who holds political views that are probably similar to those of your Opinion Editor, Batya Ungar-Sargon.

The World in A Cathedral

By Amy Schiller
In May 2019, a fire destroyed a significant part of the Notre Dame cathedral in Paris. In the two days that followed, individuals and corporations pledged just under a billion Euros toward its repair.This incident hearkened quite directly to Arendt’s invocation of cathedrals as the archetypical example of worldliness, of creating a lasting world that endures beyond the cycles of human need and consumption.

On the Hannah Arendt Center’s Conference: “Racism and Antisemitism”

Batya Ungar-Sargon, Reverend Jacqui Lewis, Shahanna McKinney-Baldon, Amy SchillerAfter the 12th Annual Hannah Arendt Center Conference, this year on “Racism and Antisemitism,” the journalist Batya Ungar-Sargon posted an editorial in the Forward claiming she was protested at Bard College for being Jewish. She said she was prevented from continuing to speak, and that Bard College had no plan to deal with the protesters.